Blackmagic URSA Cine Immersive to Vision Pro: Full Workflow with DaVinci Resolve | NAB 2025

Blackmagic Design just made a huge announcement at NAB 2025 — revealing their full immersive video workflow from camera to Apple Vision Pro. In this exclusive video, we walk through the Blackmagic URSA Cine Immersive pipeline, from capture in Blackmagic RAW, through DaVinci Resolve, all the way to native immersive playback on Apple Vision Pro using MV-HEVC metadata.

We also sat down with Blackmagic Design to discuss the latest URSA Cine Immersive firmware and UIs update, immersive color grading workflows, and a powerful REST API that allows remote camera control — perfect for broadcast and remote Immersive 180 capture environments.

Captured live at NAB 2025, this is the first in-depth look at how Blackmagic is setting a new standard for immersive filmmaking, delivering true 8K-per-eye playback with zero baked-in rendering and no double-pass quality loss.

🎬 Chapters:
0:00 - NAB 2025 Recap
0:34 - URSA Cine Immersive Footage – Initial Thoughts (in Apple Vision Pro)
2:18 - Apple metadata workflow vs. equirectangular projection workflow
3:54 - Updates on Blackmagic URSA Cine Immersive Camera
5:00 - URSA Cine Immersive Sensors Specs
5:29 - Why shoot 90fps for Vision Pro?
5:53 - Camera interface walktho
7:12 - URSA Cine Immersive Lens Deep Dive / IPD Specs
9:58 - Audio
10:50 - RS Connection for External Accessories
11:28 - ATEM Control
12:20 - DIT Cart
13:47 - Blackmagic Media Dock
13:57 - 8TB Media Module Recording Time length (in 16K 90fps)
12:40 - DaVinci Resolve Immersive Workflow
15:42 - Stream to Vision OS
16:18 - New lens mask feature
16:38 - Deliver Immersive Media to Vision Pro / Render Preset
17:03 - Rest API for remote control
20:15 - Full DaVinci Resolve Immersive Editing Workflow
20:31 - Project Settings
23:22 - How to add effect in immersive editing inside DaVinci Resolve
24:45 - Color Grading Immersive 180 Video in Resolve
27:49 - Delivery Page for Immersive 180 Video to Apple Vision Pro

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